Finally, Field became a discussion and attempt to create something which recognises space as being, in itself, a collection of spaces - and that these spaces can be defined as ongoing, ‘always being made’, unfinished stories. The performance, or space, of each person is neither separate from, nor unified with, those of others. Whatever each person’s activity is - it would be happening anyway without the gaze of an audience, and the motives for their activity or actions are never clear, never divulged. So the stories are never finished and the piece is never resolved, there is no unifying idea to take away. There is no front or back to the performance space - which is created as it goes along by the performers. There is no specific start or end. It’s things being, and then being together. A ‘potential space’ of a multiplicity of possibilities... of what can be held and acknowledged in one event.
About 50 artists, or possibly more I think, performed in the Field series, but I would like to mention Pam Gilmore, Tim Jeeves, Rachael Cockburn, Yumino Seki, Scopac (Rob Flint), Jane Munro, Doreen Massey and Rajni Shah for being particularly generous with there time and inspiration.